The history of Blackletter calligraphy is long and fascinating. After all, those fonts are based off of classic “Blackletter” scripts, which is the word we use to describe these styles of scripts developed during Medieval times. You’ve probably heard these terms at some point and perhaps mental images of newspaper headlines come to mind. “Blackletter”, “Gothic”, “Old English”, etc. So what led up to that? And what about “Blackletter”? Sure, that was over 400 years ago, but in the grand timeline of calligraphy, it wasn’t actually that long ago. Copperplate and Spencerian scripts, as we refer to them today, derived from the Roundhand style of calligraphy in the late 16th century. For most, it’s likely to be that elegant style of cursive we all know and love. When the average western layperson thinks of calligraphy, there is no doubt many visuals come to mind. This knowledge will be help inform your studies of flat-pen and/or Blackletter calligraphy and make your journey more purposeful.
All rights reserved.In this article, you’ll learn about the four core styles of Blackletter scripts, how to distinguish the nuanced differences between each of them, and how they came to be historically after centuries of typographical development. Data © of The Monotype Corporation plc/Type Solutions Inc. Typeface © of The Monotype Corporation plc. It looks remarkably like the famous Cloister Black designed by Morris Fuller Benton in 1904. Little is known about the history of Old English Text, provided here by Monotype Typography, but it has been beautifully made. The Frakturs have an x that looks like an r with a mysterious disease, and the Blackletters have fiddly bits in the middle like those you see in this Old English Text. There are two main kinds of what people tend to call Gothic letters: the German Frakturs and the English Blackletter.
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